The Provisional Nature of Perception

Hamlet: Do you see yonder cloud that's almost in shape of a camel?
William Shakespeare, Hamlet, Act 3, Scene 2
Polonius: By the mass, and 'tis like a camel, indeed.
Hamlet: Methinks it is like a weasel.
Polonius: It is backed like a weasel.
Hamlet: Or like a whale.
Polonius: Very like a whale.
This passage represents for me the fundamental inconstancy of reality, the temporary nature and pointlessness of perception. Shakespearean humour reveals a tenacious criticism of certainties, in the sciences as well as in the arts.
In our way of making music, improvised, as present as possible and unrepeatable, we wanted to propose and share this vision of a world in constant creation, an ever ephemeral reality. To trust in a fixed reality is not to notice that what we take for granted has already ceased to be what it was.
The project explored the different levels of interaction, of probabilities and of freedoms, that can be experienced in three configurations: solo, trio and large ensemble. It was my Master's recital in improvisation at the Hochschule für Musik FHNW in Basel, presented in two concerts at Attacca, the Academy's festival for contemporary music.
- Dates
- 30 and 31 May 2017
- Place
- Saal, Jazzcampus Basel
- Festival
- Attacca, Festival für aktuelle Musik 2017, master recitals of the Hochschule für Musik FHNW, Musik Akademie Basel
- Violin
- Diego Kohn
- Artistic mentors
- Fred Frith, Alfred Zimmerlin
- Video
- Emilio Guim (recording and editing)
- Audio
- Darren Hayne
- Flyers
- Design and photography: HannaH Walter
I · Solo and trio
30 May 2017
II · Large ensemble
31 May 2017
Ten musicians were placed at fixed points around the hall, with the audience in the middle. The piece alternated fixed constellations, duos and trios, each given its own time to develop without interruption, with tutti passages in which new constellations could form spontaneously. Each change of section was the responsibility of one musician, who decided when to interrupt the group that was playing.
No hay reglas. Solo oídos despiertos.
No rules. Only awake ears.
From my working notes for the tutti
No video of this concert was completed. The audio recording documents the whole piece.
- Francisco Javier Frausto Mares, trombone
- Sylvain Haenen, e-guitar
- Diego Kohn, violin
- Francesca Naibo, e-guitar
- Raphaël Sudan, piano
- Anastasios Tataroglou, trumpet
- Marc Vilanova Pinyol, saxophone
- Marina Tantanozi, flute
- Kazuaki Tsuda, double bass
- Samuel Weber, double bass

Stills



Stills from the videos by Emilio Guim.
Flyers



Flyers for the two concerts and the festival poster. Design and photography: HannaH Walter.